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8 January 1836 – 25 June 1912. Most renowned painters.

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Henrique Bernardelli
Landscape of Ouro Preto

ID: 92419

Henrique Bernardelli Landscape of Ouro Preto
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Henrique Bernardelli Landscape of Ouro Preto


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Henrique Bernardelli

painted Portrait of the painter Pedro Weingartner in 1858 - 1936  Related Paintings of Henrique Bernardelli :. | Os Bandeirantes | Motherhood | Landscape of Ouro Preto | Ator | Maternity |
Related Artists:
Charles Schreiber
French 1843-1903
Jules Tavernier
1844-1889 Jules Tavernier was born in Paris in 1844. He studied with the French painter, F??lix Joseph Barrias (1822-1907), but left France in the 1870s, never to return. Tavernier was employed as an illustrator by Harper's Magazine, which sent him on assignment to California in the 1870s. Eventually he continued westward to Hawaii, where he made a name for himself as a landscape and portrait painter. He was captivated by Hawaii??s erupting volcanoes??a subject that was to pre-occupy him for the rest of his life, which was spent in Hawaii, Canada and the western United States. He is considered the most important artist of Hawaii??s Volcano School. Tavernier died in Honolulu, Hawaii in 1889. His students included David Howard Hitchcock (1861-1943), Am??d??e Joullin (1862-1917), Charles Rollo Peters (1862-1917) and Manuel Valencia (1856-1935). The Honolulu Academy of Arts and the Stark Museum of Art (Orange, Texas) are among the public collections having paintings by Jules Tavernier.
LINGELBACH, Johannes
Dutch Baroque Era Painter, 1622-1674 German painter, active in the Netherlands and Italy. By 1634 his family had settled in Amsterdam, where presumably Lingelbach trained as a painter. According to Houbraken, he visited France in 1642 and arrived in Italy two years later. However, he is not mentioned in any document of 1644, although he is recorded in Rome from 1647 to 1649. The artist left Rome in 1650 and by 1653 was back in Amsterdam, where he remained until his death. Lingelbach is perhaps the only one of the Dutch Italianates with a catalogue of numerous signed and dated works to document his artistic development. The first two signed works are The Blacksmith (1650; Rome, Melmeluzzi priv. col., see Briganti, Trezzani and Laureati, fig. 10.1) and Self-portrait with Violin (1650; Zurich, Ksthaus). Unfortunately no certain works survive from the previous years. Kren (1982) attributed a series of works depicting Roman trades, some formerly ascribed to Pieter van Laer, to Lingelbach's early career. The original group consisted of three small paintings: the Acquavita-seller, the Cake-seller and The Tobacconist (all Rome, Pal. Corsini). While these paintings have some striking points in common with the Melmeluzzi Blacksmith of 1650 and the signed Dentist on Horseback (1651; Amsterdam, Rijksmus.), it is still uncertain whether they belong to Lingelbach's pre-1650 work or are by another hand






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